Rafael Melendez’s Exhibition Poster for SWAB Art Fair 2022
His works are not merely cultural replicas but contemporary reinterpretations that echo his personal journey and the insights gained from his independent explorations of global cultural institutions and galleries.
Rafael Melendez, After-Cady Noland (After-Sturtuvant) Poster, 2022
In 2022, Rafael Melendez, represented by The Academy of Realness, showcased his works at the SWAB Art Fair in Barcelona under the theme “After-Sturtevant.” This project pays homage to Elaine Sturtevant’s method of appropriation art, where she famously replicated the works of celebrated artists. Melendez, however, infuses this approach with a deeply personal touch, selecting and duplicating artworks that resonate with his own emotional experiences and lived realities. His works are not merely cultural replicas but contemporary reinterpretations that echo his personal journey and the insights gained from his independent explorations of global cultural institutions and galleries.
The showcased piece in the poster, a limited edition of 25, illustrates Melendez’s unique style. By recreating the exhibition poster featuring the altered American flag with strategic cutouts, Melendez addresses cultural and national symbols, encouraging viewers to reflect on their meaning and significance in contemporary society. His art creates a dialogue between past and present, tradition and innovation, and emotion and intellect.
Melendez’s work delves into the complex idea of ownership of cultural symbols. By appropriating and altering the American flag, a powerful and widely recognized national symbol, he questions who owns these symbols and what they represent. The strategic cutouts in the flag challenge viewers to think about the flag’s meaning beyond its traditional patriotic context, opening a conversation about its relevance and interpretation in the modern world. Through this act of appropriation, Melendez reclaims the symbol, making it a canvas for personal and collective reflection.
The recreation of the exhibition poster itself is a significant gesture. By transforming a promotional tool into a work of art, Melendez elevates the status of the poster, blurring the lines between commercial and fine art. This act of elevation signifies the power of reinterpretation and the artist’s role in recontextualizing everyday objects. The poster, originally intended to advertise and inform, becomes a medium for artistic expression, carrying deeper meanings and inviting contemplation.
Comparing Melendez’s poster to Cady Noland’s similar work, we see both using the modified American flag with circular cutouts as a central visual element. Noland’s piece, featured in the Museum MMK exhibition from 27.10.18 to 31.03.19, is often seen as a critique of American culture and politics, presented with a simple and clean design that strongly focuses on the artwork itself. In contrast, Melendez’s reinterpretation for the SWAB Barcelona exhibition from 6.10.22 to 9.10.22 is more introspective, reflecting his personal experiences and emotional connections. While both posters challenge viewers to reconsider familiar symbols, Melendez’s includes more textual and visual information, such as sponsor logos and additional exhibition details, providing a broader context for the viewer.
Through “After-Sturtevant,” Melendez not only acknowledges the pioneering spirit of Sturtevant but also carves out a space for his own voice, bridging the gap between homage and innovation, replication and originality. By reinterpreting cultural symbols and elevating everyday objects to art status, he invites viewers to engage in a deeper conversation about the significance and ownership of these symbols in our lives.Don’t worry about sounding professional. Sound like you. There are over 1.5 billion websites out there, but your story is what’s going to separate this one from the rest. If you read the words back and don’t hear your own voice in your head, that’s a good sign you still have more work to do.